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Թեմա: Անգլո-ամերիկյան գրականության նմուշներ` բնագրով

  1. #31
    Պատվավոր անդամ Philosopher-ի ավատար
    Գրանցման ամսաթիվ
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    Re. Անգլո-ամերիկյան գրականության նմուշներ` բնագրով

    19
    This is the meal equally set--this is the meat for natural hunger;
    It is for the wicked just the same as the righteous--I make appointments with all;
    I will not have a single person slighted or left away;
    The kept-woman, sponger, thief, are hereby invited;
    The heavy-lipp'd slave is invited--the venerealee is invited:
    There shall be no difference between them and the rest.
    This is the press of a bashful hand--this is the float and odor of hair;
    This is the touch of my lips to yours--this is the murmur of yearning;
    This is the far-off depth and height reflecting my own face;
    This is the thoughtful merge of myself, and the outlet again.
    Do you guess I have some intricate purpose?
    Well, I have--for the Fourth-month showers have, and the mica on the side of a rock
    has.
    Do you take it I would astonish?
    Does the daylight astonish? Does the early redstart, twittering through the woods?
    Do I astonish more than they?
    This hour I tell things in confidence;
    I might not tell everybody, but I will tell you.

    20
    Who goes there? hankering, gross, mystical, nude;
    How is it I extract strength from the beef I eat?
    What is a man, anyhow? What am I? What are you?
    All I mark as my own, you shall offset it with your own;
    Else it were time lost listening to me.
    I do not snivel that snivel the world over,
    That months are vacuums, and the ground but wallow and filth;
    That life is a suck and a sell, and nothing remains at the end but threadbare crape, and
    tears.
    Whimpering and truckling fold with powders for invalids--conformity goes to the
    fourth-remov'd;
    I wear my hat as I please, indoors or out.
    Why should I pray? Why should I venerate and be ceremonious?
    Having pried through the strata, analyzed to a hair, counsell'd with doctors, and
    calculated close,
    I find no sweeter fat than sticks to my own bones.
    In all people I see myself--none more, and not one a barleycorn less;
    And the good or bad I say of myself, I say of them.
    And I know I am solid and sound; To me the converging objects of the universe
    perpetually flow;
    All are written to me, and I must get what the writing means.
    I know I am deathless;
    I know this orbit of mine cannot be swept by the carpenter's compass;
    I know I shall not pass like a child's carlacue cut with a burnt stick at night.
    I know I am august;
    I do not trouble my spirit to vindicate itself or be understood;
    I see that the elementary laws never apologize;
    (I reckon I behave no prouder than the level I plant my house by, after all.)
    I exist as I am--that is enough;
    If no other in the world be aware, I sit content;
    And if each and all be aware, I sit content.
    One world is aware, and by far the largest to me, and that is myself;
    And whether I come to my own to-day, or in ten thousand or ten million years,
    I can cheerfully take it now, or with equal cheerfulness I can wait.
    My foothold is tenon'd and mortis'd in granite;
    I laugh at what you call dissolution;
    And I know the amplitude of time.

    21
    I am the poet of the Body;
    And I am the poet of the Soul.
    The pleasures of heaven are with me, and the pains of hell are with me;
    The first I graft and increase upon myself--the latter I translate into a new tongue.
    I am the poet of the woman the same as the man;
    And I say it is as great to be a woman as to be a man;
    And I say there is nothing greater than the mother of men.
    I chant the chant of dilation or pride;
    We have had ducking and deprecating about enough;
    I show that size is only development.
    Have you outstript the rest? Are you the President?
    It is a trifle--they will more than arrive there, every one, and still pass on.
    I am he that walks with the tender and growing night;
    I call to the earth and sea, half-held by the night.
    Press close, bare-bosom'd night! Press close, magnetic, nourishing night!
    Night of south winds! night of the large few stars!
    Still, nodding night! mad, naked, summer night.
    Smile, O voluptuous, cool-breath'd earth!
    Earth of the slumbering and liquid trees;
    Earth of departed sunset! earth of the mountains, misty-topt!
    Earth of the vitreous pour of the full moon, just tinged with blue!
    Earth of shine and dark, mottling the tide of the river!
    Earth of the limpid gray of clouds, brighter and clearer for my sake!
    Far-swooping elbow'd earth! rich, apple-blossom'd earth!
    Smile, for your lover comes!
    Prodigal, you have given me love! Therefore I to you give love!
    O unspeakable, passionate love!

    22
    You sea! I resign myself to you also--I guess what you mean;
    I behold from the beach your crooked inviting fingers;
    I believe you refuse to go back without feeling of me;
    We must have a turn together--I undress--hurry me out of sight of the land;
    Cushion me soft, rock me in billowy drowse;
    Dash me with amorous wet--I can repay you.
    Sea of stretch'd ground-swells!
    Sea breathing broad and convulsive breaths!
    Sea of the brine of life! sea of unshovell'd yet always-ready graves!
    Howler and scooper of storms! capricious and dainty sea! I am integral with you--I too
    am of one phase, and of all phases.
    Partaker of influx and efflux I--extoller of hate and conciliation;
    Extoller of amies, and those that sleep in each others' arms.
    I am he attesting sympathy;
    (Shall I make my list of things in the house, and skip the house that supports them?)
    I am not the poet of goodness only--I do not decline to be the poet of wickedness also.
    Washes and razors for foofoos--for me freckles and a bristling beard.
    What blurt is this about virtue and about vice?
    Evil propels me, and reform of evil propels me--I stand indifferent;
    My gait is no fault-finder's or rejecter's gait;
    I moisten the roots of all that has grown.
    Did you fear some scrofula out of the unflagging pregnancy?
    Did you guess the celestial laws are yet to be work'd over and rectified?
    I find one side a balance, and the antipodal side a balance;
    Soft doctrine as steady help as stable doctrine;
    Thoughts and deeds of the present, our rouse and early start.
    This minute that comes to me over the past decillions,
    There is no better than it and now.
    What behaved well in the past, or behaves well to-day, is not such a wonder;
    The wonder is, always and always, how there can be a mean man or an infidel.

    23
    Endless unfolding of words of ages!
    And mine a word of the modern--the word En-Masse.
    A word of the faith that never balks;
    Here or henceforward, it is all the same to me--I accept Time, absolutely.
    It alone is without flaw--it rounds and completes all;
    That mystic, baffling wonder I love, alone completes all.
    I accept reality, and dare not question it;
    Materialism first and last imbuing.
    Hurrah for positive science! long live exact demonstration!
    Fetch stonecrop, mixt with cedar and branches of lilac;
    This is the lexicographer--this the chemist--this made a grammar of the old
    cartouches;
    These mariners put the ship through dangerous unknown seas;
    This is the geologist--this works with the scalpel--and this is a mathematician.
    Gentlemen! to you the first honors always:
    Your facts are useful and real--and yet they are not my dwelling;
    (I but enter by them to an area of my dwelling.)
    Less the reminders of properties told, my words;
    And more the reminders, they, of life untold, and of freedom and extrication,
    And make short account of neuters and geldings, and favor men and women fully
    equipt,
    And beat the gong of revolt, and stop with fugitives, and them that plot and conspire.

  2. #32
    Պատվավոր անդամ Philosopher-ի ավատար
    Գրանցման ամսաթիվ
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    24
    Walt Whitman am I, a Kosmos, of mighty Manhattan the son,
    Turbulent, fleshy and sensual, eating, drinking and breeding;
    No sentimentalist--no stander above men and women, or apart from them;
    No more modest than immodest.
    Unscrew the locks from the doors!
    Unscrew the doors themselves from their jambs!
    Whoever degrades another degrades me;
    And whatever is done or said returns at last to me.
    Through me the afflatus surging and surging--through me the current and index.
    I speak the pass-word primeval--I give the sign of democracy;
    By God! I will accept nothing which all cannot have their counterpart of on the same
    terms.
    Through me many long dumb voices;
    Voices of the interminable generations of slaves;
    Voices of prostitutes, and of deform'd persons;
    Voices of the diseas'd and despairing, and of thieves and dwarfs;
    Voices of cycles of preparation and accretion,
    And of the threads that connect the stars--and of wombs, and of the father-stuff,
    And of the rights of them the others are down upon;
    Of the trivial, flat, foolish, despised,
    Fog in the air, beetles rolling balls of dung.
    Through me forbidden voices;
    Voice of sexes and lusts--voices veil'd, and I remove the veil;
    Voices indecent, by me clarified and transfigur'd.
    I do not press my fingers across my mouth;
    I keep as delicate around the bowels as around the head and heart;
    Copulation is no more rank to me than death is.
    I believe in the flesh and the appetites;
    Seeing, hearing, feeling, are miracles, and each part and tag of me is a miracle.
    Divine am I inside and out, and I make holy whatever I touch or am touch'd from;
    The scent of these arm-pits, aroma finer than prayer;
    This head more than churches, bibles, and all the creeds.
    If I worship one thing more than another, it shall be the spread of my own body, or
    any part of it.
    Translucent mould of me, it shall be you!
    Shaded ledges and rests, it shall be you!
    Firm masculine colter, it shall be you.
    Whatever goes to the tilth of me, it shall be you!
    You my rich blood! Your milky stream, pale strippings of my life.
    Breast that presses against other breasts, it shall be you!
    My brain, it shall be your occult convolutions.
    Root of wash'd sweet flag! timorous pond-snipe! nest of guarded duplicate eggs! it
    shall be you!
    Mix'd tussled hay of head, beard, brawn, it shall be you!
    Trickling sap of maple! fibre of manly wheat! it shall be you!
    Sun so generous, it shall be you!
    Vapors lighting and shading my face, it shall be you!
    You sweaty brooks and dews, it shall be you!
    Winds whose soft-tickling genitals rub against me, it shall be you!
    Broad, muscular fields! branches of live oak! loving lounger in my winding paths! it
    shall be you!
    Hands I have taken--face I have kiss'd--mortal I have ever touch'd! it shall be you.
    I dote on myself--there is that lot of me, and all so luscious;
    Each moment, and whatever happens, thrills me with joy.
    O I am wonderful!
    I cannot tell how my ankles bend, nor whence the cause of my faintest wish;
    Nor the cause of the friendship I emit, nor the cause of the friendship I take again.
    That I walk up my stoop! I pause to consider if it really be;
    A morning-glory at my window satisfies me more than the metaphysics of books.
    To behold the day-break!
    The little light fades the immense and diaphanous shadows;
    The air tastes good to my palate.
    Hefts of the moving world, at innocent gambols, silently rising,
    freshly exuding, Scooting obliquely high and low.
    Something I cannot see puts upward libidinous prongs;
    Seas of bright juice suffuse heaven.
    The earth by the sky staid with--the daily close of their junction;
    The heav'd challenge from the east that moment over my head;
    The mocking taunt, See then whether you shall be master!

    25
    Dazzling and tremendous, how quick the sun-rise would kill me,
    If I could not now and always send sun-rise out of me.
    We also ascend, dazzling and tremendous as the sun;
    We found our own, O my Soul, in the calm and cool of the daybreak.
    My voice goes after what my eyes cannot reach;
    With the twirl of my tongue I encompass worlds, and volumes of worlds.
    Speech is the twin of my vision--it is unequal to measure itself;
    It provokes me forever;
    It says sarcastically, Walt, you contain enough--why don't you let it out, then?
    Come now, I will not be tantalized--you conceive too much of articulation.
    Do you not know, O speech, how the buds beneath you are folded?
    Waiting in gloom, protected by frost;
    The dirt receding before my prophetical screams;
    I underlying causes, to balance them at last;
    My knowledge my live parts--it keeping tally with the meaning of things,
    Happiness--which, whoever hears me, let him or her set out in search of this day.
    My final merit I refuse you--I refuse putting from me what I really am;
    Encompass worlds, but never try to encompass me;
    I crowd your sleekest and best by simply looking toward you.
    Writing and talk do not prove me;
    I carry the plenum of proof, and everything else, in my face;
    With the hush of my lips I wholly confound the skeptic.

    26
    I think I will do nothing now but listen,
    To accrue what I hear into myself--to let sounds contribute toward me.
    I hear bravuras of birds, bustle of growing wheat, gossip of flames, clack of sticks
    cooking my meals;
    I hear the sound I love, the sound of the human voice;
    I hear all sounds running together, combined, fused or following;
    Sounds of the city, and sounds out of the city--sounds of the day and night;
    Talkative young ones to those that like them--the loud laugh of work- people at their
    meals;
    The angry base of disjointed friendship--the faint tones of the sick;
    The judge with hands tight to the desk, his pallid lips pronouncing a death-sentence;
    The heave'e'yo of stevedores unlading ships by the wharves--the refrain of the
    anchor-lifters;
    The ring of alarm-bells--the cry of fire--the whirr of swift- streaking engines and
    hose-carts, with premonitory tinkles, and color'd lights;
    The steam-whistle--the solid roll of the train of approaching cars; The slow-march
    play'd at the head of the association, marching two and two,
    (They go to guard some corpse--the flag-tops are draped with black muslin.)
    I hear the violoncello ('tis the young man's heart's complaint)
    I hear the key'd cornet--it glides quickly in through my ears;
    It shakes mad-sweet pangs through my belly and breast.
    I hear the chorus--it is a grand opera;
    Ah, this indeed is music! This suits me. A tenor large and fresh as the creation fills me;
    The orbic flex of his mouth is pouring and filling me full.
    I hear the train'd soprano--(what work, with hers, is this?)
    The orchestra whirls me wider than Uranus flies;
    It wrenches such ardors from me, I did not know I possess'd them;
    It sails me--I dab with bare feet--they are lick'd by the indolent waves;
    I am exposed, cut by bitter and angry hail--I lose my breath,
    Steep'd amid honey'd morphine, my windpipe throttled in fakes of death;
    At length let up again to feel the puzzle of puzzles,
    And that we call being.

    27
    To be, in any form--what is that?
    (Round and round we go, all of us, and ever come back thither)
    If nothing lay more develop'd, the quahaug in its callous shell were enough.
    Mine is no callous shell;
    I have instant conductors all over me, whether I pass or stop;
    They seize every object and lead it harmlessly through me.
    I merely stir, press, feel with my fingers, and am happy;
    To touch my person to some one else's is about as much as I can stand.

    28
    Is this then a touch? quivering me to a new identity,
    Flames and ether making a rush for my veins,
    Treacherous tip of me reaching and crowding to help them,
    My flesh and blood playing out lightning to strike what is hardly different from myself;
    On all sides prurient provokers stiffening my limbs,
    Straining the udder of my heart for its withheld drip,
    Behaving licentious toward me, taking no denial,
    Depriving me of my best, as for a purpose,
    Unbuttoning my clothes, holding me by the bare waist,
    Deluding my confusion with the calm of the sunlight and pasture- fields,
    Immodestly sliding the fellow-senses away,
    They bribed to swap off with touch, and go and graze at the edges of me;
    No consideration, no regard for my draining strength or my anger;
    Fetching the rest of the herd around to enjoy them a while,
    Then all uniting to stand on a headland and worry me.
    The sentries desert every other part of me;
    They have left me helpless to a red marauder;
    They all come to the headland, to witness and assist against me.
    I am given up by traitors;
    I talk wildly--I have lost my wits--I and nobody else am the greatest traitor;
    I went myself first to the headland--my own hands carried me there.
    You villian touch! what are you doing? My breath is tight in its throat;
    Unclench your floodgates! you are too much for me.

    29
    Blind, loving, wrestling touch! sheath'd, hooded, sharp-tooth'd touch!
    Did it make you ache so, leaving me?
    Parting, track'd by arriving--perpetual payment of perpetual loan;
    Rich, showering rain, and recompense richer afterward.
    Sprouts take and accumulate--stand by the curb prolific and vital:
    Landscapes, projected, masculine, full-sized and golden.

  3. #33
    Պատվավոր անդամ Philosopher-ի ավատար
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    30
    All truths wait in all things;
    They neither hasten their own delivery, nor resist it;
    They do not need the obstetric forceps of the surgeon;
    The insignificant is as big to me as any;
    (What is less or more than a touch?)
    Logic and sermons never convince;
    The damp of the night drives deeper into my soul.
    Only what proves itself to every man and woman is so;
    Only what nobody denies is so.
    A minute and a drop of me settle my brain;
    I believe the soggy clods shall become lovers and lamps,
    And a compend of compends is the meat of a man or woman,
    And a summit and flower there is the feeling they have for each other,
    And they are to branch boundlessly out of that lesson until it becomes omnific,
    And until every one shall delight us, and we them.

    31
    I believe a leaf of grass is no less than the journey-work of the stars,
    And the pismire is equally perfect, and a grain of sand, and the egg of the wren,
    And the tree-toad is a chef-d'oeuvre for the highest,
    And the running blackberry would adorn the parlors of heaven,
    And the narrowest hinge in my hand puts to scorn all machinery,
    And the cow crunching with depress'd head surpasses any statue,
    And a mouse is miracle enough to stagger sextillions of infidels,
    And I could come every afternoon of my life to look at the farmer's girl boiling her iron
    tea-kettle and baking shortcake.
    I find I incorporate gneiss, coal, long-threaded moss, fruits, grains, esculent roots,
    And am stucco'd with quadrupeds and birds all over,
    And have distanced what is behind me for good reasons,
    And call anything close again, when I desire it.
    In vain the speeding or shyness;
    In vain the plutonic rocks send their old heat against my approach;
    In vain the mastodon retreats beneath its own powder'd bones;
    In vain objects stand leagues off, and assume manifold shapes;
    In vain the ocean settling in hollows, and the great monsters lying low;
    In vain the buzzard houses herself with the sky;
    In vain the snake slides through the creepers and logs;
    In vain the elk takes to the inner passes of the woods;
    In vain the razor-bill'd auk sails far north to Labrador;
    I follow quickly, I ascend to the nest in the fissure of the cliff.

    32
    I think I could turn and live with animals, they are so placid and self-contain'd;
    I stand and look at them long and long.
    They do not sweat and whine about their condition;
    They do not lie awake in the dark and weep for their sins;
    They do not make me sick discussing their duty to God;
    Not one is dissatisfied--not one is demented with the mania of owning things;
    Not one kneels to another, nor to his kind that lived thousands of years ago;
    Not one is respectable or industrious over the whole earth.
    So they show their relations to me, and I accept them;
    They bring me tokens of myself--they evince them plainly in their possession.
    I wonder where they get those tokens:
    Did I pass that way huge times ago, and negligently drop them?
    Myself moving forward then and now and forever,
    Gathering and showing more always and with velocity,
    Infinite and omnigenous, and the like of these among them;
    Not too exclusive toward the reachers of my remembrancers;
    Picking out here one that I love, and now go with him on brotherly terms.
    A gigantic beauty of a stallion, fresh and responsive to my caresses,
    Head high in the forehead, wide between the ears,
    Limbs glossy and supple, tail dusting the ground,
    Eyes full of sparkling wickedness--ears finely cut, flexibly moving.
    His nostrils dilate, as my heels embrace him;
    His well-built limbs tremble with pleasure, as we race around and return.
    I but use you a moment, then I resign you, stallion;
    Why do I need your paces, when I myself out-gallop them?
    Even, as I stand or sit, passing faster than you.

  4. #34
    Պատվավոր անդամ Philosopher-ի ավատար
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    33
    O swift wind! O space and time! now I see it is true, what I guessed at;
    What I guess'd when I loaf'd on the grass;
    What I guess'd while I lay alone in my bed,
    And again as I walk'd the beach under the paling stars of the morning.
    My ties and ballasts leave me--I travel--I sail--my elbows rest in the sea-gaps;
    I skirt the sierras--my palms cover continents;
    I am afoot with my vision.
    By the city's quadrangular houses--in log huts--camping with lumbermen;
    Along the ruts of the turnpike--along the dry gulch and rivulet bed;
    Weeding my onion-patch, or hoeing rows of carrots and parsnips-- crossing
    savannas--trailing in forests;
    Prospecting--gold-digging--girdling the trees of a new purchase;
    Scorch'd ankle-deep by the hot sand--hauling my boat down the shallow river;
    Where the panther walks to and fro on a limb overhead--where the buck turns furiously
    at the hunter;
    Where the rattlesnake suns his flabby length on a rock--where the otter is feeding on
    fish;
    Where the alligator in his tough pimples sleeps by the bayou;
    Where the black bear is searching for roots or honey--where the beaver pats the mud
    with his paddle-shaped tail;
    Over the growing sugar--over the yellow-flower'd cotton plant--over the rice in its low
    moist field;
    Over the sharp-peak'd farm house, with its scallop'd scum and slender shoots from the
    gutters;
    Over the western persimmon--over the long-leav'd corn--over the delicate blue-flower
    flax;
    Over the white and brown buckwheat, a hummer and buzzer there with the rest;
    Over the dusky green of the rye as it ripples and shades in the breeze;
    Scaling mountains, pulling myself cautiously up, holding on by low scragged limbs;
    Walking the path worn in the grass, and beat through the leaves of the brush;
    Where the quail is whistling betwixt the woods and the wheat-lot;
    Where the bat flies in the Seventh-month eve--where the great gold- bug drops
    through the dark;
    Where flails keep time on the barn floor;
    Where the brook puts out of the roots of the old tree and flows to the meadow;
    Where cattle stand and shake away flies with the tremulous shuddering of their hides;
    Where the cheese-cloth hangs in the kitchen--where andirons straddle the
    hearth-slab--where cobwebs fall in festoons from the rafters;
    Where trip-hammers crash--where the press is whirling its cylinders;
    Wherever the human heart beats with terrible throes under its ribs;
    Where the pear-shaped balloon is floating aloft, (floating in it myself, and looking
    composedly down)
    Where the life-car is drawn on the slip-noose--where the heat hatches pale-green eggs
    in the dented sand;
    Where the she-whale swims with her calf, and never forsakes it;
    Where the steam-ship trails hind-ways its long pennant of smoke;
    Where the fin of the shark cuts like a black chip out of the water;
    Where the half-burn'd brig is riding on unknown currents,
    Where shells grow to her slimy deck--where the dead are corrupting below;
    Where the dense-starr'd flag is borne at the head of the regiments;
    Approaching Manhattan, up by the long-stretching island;
    Under Niagara, the cataract falling like a veil over my countenance;
    Upon a door-step--upon the horse-block of hard wood outside;
    Upon the race-course, or enjoying picnics or jigs, or a good game of base-ball;
    At he-festivals, with blackguard jibes, ironical license, bull- dances, drinking, laughter;
    At the cider-mill, tasting the sweets of the brown mash, sucking the juice through a
    straw;
    At apple-peelings, wanting kisses for all the red fruit I find;
    At musters, beach-parties, friendly bees, huskings, house-raisings:
    Where the mocking-bird sounds his delicious gurgles, cackles, screams, weeps;
    Where the hay-rick stands in the barn-yard--where the dry-stalks are scattered--where
    the brood-cow waits in the hovel;
    Where the bull advances to do his masculine work--where the stud to the mare--where
    the cock is treading the hen;
    Where the heifers browse--where geese nip their food with short jerks;
    Where sun-down shadows lengthen over the limitless and lonesome prairie;
    Where herds of buffalo make a crawling spread of the square miles far and near;
    Where the humming-bird shimmers--where the neck of the long-lived swan is curving
    and winding;
    Where the laughing-gull scoots by the shore, where she laughs her near-human laugh;
    Where bee-hives range on a gray bench in the garden, half hid by the high weeds;
    Where band-neck'd partridges roost in a ring on the ground with their heads out;
    Where burial coaches enter the arch'd gates of a cemetery;
    Where winter wolves bark amid wastes of snow and icicled trees;
    Where the yellow-crown'd heron comes to the edge of the marsh at night and feeds
    upon small crabs;
    Where the splash of swimmers and divers cools the warm noon;
    Where the katy-did works her chromatic reed on the walnut-tree over the well;
    Through patches of citrons and cucumbers with silver-wired leaves;
    Through the salt-lick or orange glade, or under conical firs; Through the
    gymnasium--through the curtain'd saloon--through the office or public hall;
    Pleas'd with the native, and pleas'd with the foreign--pleas'd with the new and old;
    Pleas'd with women, the homely as well as the handsome;
    Pleas'd with the quakeress as she puts off her bonnet and talks melodiously;
    Pleas'd with the tune of the choir of the white-wash'd church;
    Pleas'd with the earnest words of the sweating Methodist preacher, or any
    preacher--impress'd seriously at the camp-meeting:
    Looking in at the shop-windows of Broadway the whole forenoon-- flatting the flesh of
    my nose on the thick plate-glass;
    Wandering the same afternoon with my face turn'd up to the clouds,
    My right and left arms round the sides of two friends, and I in the middle:
    Coming home with the silent and dark-cheek'd bush-boy--(behind me he rides at the
    drape of the day)
    Far from the settlements, studying the print of animals' feet, or the moccasin print;
    By the cot in the hospital, reaching lemonade to a feverish patient;
    Nigh the coffin'd corpse when all is still, examining with a candle:
    Voyaging to every port, to dicker and adventure;
    Hurrying with the modern crowd, as eager and fickle as any;
    Hot toward one I hate, ready in my madness to knife him;
    Solitary at midnight in my back yard, my thoughts gone from me a long while;
    Walking the old hills of Judea, with the beautiful gentle God by my side;
    Speeding through space--speeding through heaven and the stars;
    Speeding amid the seven satellites, and the broad ring, and the diameter of eighty
    thousand miles;
    Speeding with tail'd meteors--throwing fire-balls like the rest;
    Carrying the crescent child that carries its own full mother in its belly;
    Storming, enjoying, planning, loving, cautioning,
    Backing and filling, appearing and disappearing;
    I tread day and night such roads.
    And look at quintillions ripen'd, and look at quintillions green.
    I fly the flight of the fluid and swallowing soul;
    My course runs below the soundings of plummets.
    I help myself to material and immaterial;
    No guard can shut me off, nor law prevent me.
    I anchor my ship for a little while only;
    My messengers continually cruise away, or bring their returns to me.
    I go hunting polar furs and the seal--leaping chasms with a pike- pointed staff--clinging
    to topples of brittle and blue.
    I ascend to the foretruck;
    I take my place late at night in the crow's-nest;
    We sail the arctic sea--it is plenty light enough;
    Through the clear atmosphere I stretch around on the wonderful beauty;
    The enormous masses of ice pass me, and I pass them--the scenery is plain in all
    directions;
    The white-topt mountains show in the distance--I fling out my fancies toward them;
    (We are approaching some great battle-field in which we are soon to be engaged;
    We pass the colossal outposts of the encampment--we pass with still feet and caution;
    Or we are entering by the suburbs some vast and ruin'd city;
    The blocks and fallen architecture more than all the living cities of the globe.)
    I am a free companion--I bivouac by invading watchfires.
    I turn the bridegroom out of bed, and stay with the bride myself;
    I tighten her all night to my thighs and lips.
    My voice is the wife's voice, the screech by the rail of the stairs;
    They fetch my man's body up, dripping and drown'd.
    I understand the large hearts of heroes,
    The courage of present times and all times;
    How the skipper saw the crowded and rudderless wreck of the steam- ship, and Death
    chasing it up and down the storm;
    How he knuckled tight, and gave not back one inch, and was faithful of days and
    faithful of nights,

  5. #35
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    And chalk'd in large letters, on a board, Be of good cheer, we will not desert you:
    How he follow'd with them, and tack'd with them--and would not give it up;
    How he saved the drifting company at last:
    How the lank loose-gown'd women look'd when boated from the side of their prepared
    graves;
    How the silent old-faced infants, and the lifted sick, and the sharp- lipp'd unshaved
    men:
    All this I swallow--it tastes good--I like it well--it becomes mine;
    I am the man--I suffer'd--I was there.
    The disdain and calmness of olden martyrs;
    The mother, condemn'd for a witch, burnt with dry wood, her children gazing on;
    The hounded slave that flags in the race, leans by the fence, blowing, cover'd with
    sweat;
    The twinges that sting like needles his legs and neck--the murderous buckshot and the
    bullets;
    All these I feel, or am.
    I am the hounded slave, I wince at the bite of the dogs,
    Hell and despair are upon me, crack and again crack the marksmen;
    I clutch the rails of the fence, my gore dribs, thinn'd with the ooze of my skin;
    I fall on the weeds and stones;
    The riders spur their unwilling horses, haul close,
    Taunt my dizzy ears, and beat me violently over the head with whip- stocks.
    Agonies are one of my changes of garments;
    I do not ask the wounded person how he feels--I myself become the wounded person;
    My hurts turn livid upon me as I lean on a cane and observe.
    I am the mash'd fireman with breast-bone broken;
    Tumbling walls buried me in their debris;
    Heat and smoke I inspired--I heard the yelling shouts of my comrades;
    I heard the distant click of their picks and shovels;
    They have clear'd the beams away--they tenderly lift me forth.
    I lie in the night air in my red shirt--the pervading hush is for my sake;
    Painless after all I lie, exhausted but not so unhappy;
    White and beautiful are the faces around me--the heads are bared of their fire-caps;
    The kneeling crowd fades with the light of the torches.
    Distant and dead resuscitate;
    They show as the dial or move as the hands of me--I am the clock myself.
    I am an old artillerist--I tell of my fort's bombardment;
    I am there again.
    Again the long roll of the drummers;
    Again the attacking cannon, mortars;
    Again, to my listening ears, the cannon responsive.
    I take part--I see and hear the whole;
    The cries, curses, roar--the plaudits for well-aim'd shots;
    The ambulanza slowly passing, trailing its red drip;
    Workmen searching after damages, making indispensable repairs;
    The fall of grenades through the rent roof--the fan-shaped explosion;
    The whizz of limbs, heads, stone, wood, iron, high in the air.
    Again gurgles the mouth of my dying general--he furiously waves with his hand;
    He gasps through the clot, Mind not me--mind--the entrenchments.

    34
    Now I tell what I knew in Texas in my early youth;
    (I tell not the fall of Alamo,
    Not one escaped to tell the fall of Alamo,
    The hundred and fifty are dumb yet at Alamo)
    'Tis the tale of the murder in cold blood of four hundred and twelve young men.
    Retreating, they had form'd in a hollow square, with their baggage for breastworks;
    Nine hundred lives out of the surrounding enemy's, nine times their number, was the
    price they took in advance;
    Their colonel was wounded and their ammunition gone;
    They treated for an honorable capitulation, receiv'd writing and seal, gave up their
    arms, and march'd back prisoners of war.
    They were the glory of the race of rangers;
    Matchless with horse, rifle, song, supper, courtship,
    Large, turbulent, generous, handsome, proud, and affectionate,
    Bearded, sunburnt, drest in the free costume of hunters,
    Not a single one over thirty years of age.
    The second First-day morning they were brought out in squads, and massacred--it was
    beautiful early summer;
    The work commenced about five o'clock, and was over by eight.
    None obey'd the command to kneel;
    Some made a mad and helpless rush--some stood stark and straight;
    A few fell at once, shot in the temple or heart--the living and dead lay together;
    The maim'd and mangled dug in the dirt--the newcomers saw them there; Some,
    half-kill'd, attempted to crawl away;
    These were despatch'd with bayonets, or batter'd with the blunts of muskets;
    A youth not seventeen years old seiz'd his assassin till two more came to release him;
    The three were all torn, and cover'd with the boy's blood.
    At eleven o'clock began the burning of the bodies:
    That is the tale of the murder of the four hundred and twelve young men.

    35
    Would you hear of an old-fashion'd sea-fight?
    Would you learn who won by the light of the moon and stars?
    List to the story as my grandmother's father, the sailor, told it to me.
    Our foe was no skulk in his ship, I tell you, (said he)
    His was the surly English pluck--and there is no tougher or truer,
    and never was, and never will be;
    Along the lower'd eve he came, horribly raking us.
    We closed with him--the yards entangled--the cannon touch'd;
    My captain lash'd fast with his own hands.
    We had receiv'd some eighteen pound shots under the water;
    On our lower-gun-deck two large pieces had burst at the first fire, killing all around,
    and blowing up overhead.
    Fighting at sun-down, fighting at dark;
    Ten o'clock at night, the full moon well up, our leaks on the gain, and five feet of water
    reported;
    The master-at-arms loosing the prisoners confined in the afterhold, to give them a
    chance for themselves.
    The transit to and from the magazine is now stopt by the sentinels,
    They see so many strange faces, they do not know whom to trust.
    Our frigate takes fire;
    The other asks if we demand quarter?
    If our colors are struck, and the fighting is done?
    Now I laugh content, for I hear the voice of my little captain,
    We have not struck, he composedly cries, we have just begun our part of the fighting.
    Only three guns are in use;
    One is directed by the captain himself against the enemy's mainmast;
    Two, well served with grape and canister, silence his musketry and clear his decks.
    The tops alone second the fire of this little battery, especially the main-top;
    They hold out bravely during the whole of the action.
    Not a moment's cease;
    The leaks gain fast on the pumps--the fire eats toward the powder- magazine.
    One of the pumps has been shot away--it is generally thought we are sinking.
    Serene stands the little captain;
    He is not hurried--his voice is neither high nor low;
    His eyes give more light to us than our battle-lanterns.
    Toward twelve at night, there in the beams of the moon, they surrender to us.

    36
    Stretch'd and still lies the midnight;
    Two great hulls motionless on the breast of the darkness;
    Our vessel riddled and slowly sinking--preparations to pass to the one we have
    conquer'd;
    The captain on the quarter-deck coldly giving his orders through a countenance white
    as a sheet;
    Near by, the corpse of the child that serv'd in the cabin;
    The dead face of an old salt with long white hair and carefully curl'd whiskers;
    The flames, spite of all that can be done, flickering aloft and below;
    The husky voices of the two or three officers yet fit for duty;
    Formless stacks of bodies, and bodies by themselves--dabs of flesh upon the masts
    and spars,
    Cut of cordage, dangle of rigging, slight shock of the soothe of waves,
    Black and impassive guns, litter of powder-parcels, strong scent,
    Delicate sniffs of sea-breeze, smells of sedgy grass and fields by the shore,
    death-messages given in charge to survivors,
    The hiss of the surgeon's knife, the gnawing teeth of his saw,
    Wheeze, cluck, swash of falling blood, short wild scream, and long, dull, tapering
    groan;
    These so--these irretrievable.

    37
    O Christ! This is mastering me!
    In at the conquer'd doors they crowd. I am possess'd.
    I embody all presences outlaw'

  6. #36
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    George Gordon Byron

    Dream, The

    I
    Our life is twofold; Sleep hath its own world,
    A boundary between the things misnamed
    Death and existence: Sleep hath its own world,
    And a wide realm of wild reality,
    And dreams in their development have breath,
    And tears, and tortures, and the touch of joy;
    They leave a weight upon our waking thoughts,
    They take a weight from off waking toils,
    They do divide our being; they become
    A portion of ourselves as of our time,
    And look like heralds of eternity;
    They pass like spirits of the past -they speak
    Like sibyls of the future; they have power -
    The tyranny of pleasure and of pain;
    They make us what we were not -what they will,
    And shake us with the vision that's gone by,
    The dread of vanished shadows -Are they so?
    Is not the past all shadow? -What are they?
    Creations of the mind? -The mind can make
    Substances, and people planets of its own
    With beings brighter than have been, and give
    A breath to forms which can outlive all flesh.
    I would recall a vision which I dreamed
    Perchance in sleep -for in itself a thought,
    A slumbering thought, is capable of years,
    And curdles a long life into one hour.

    II
    I saw two beings in the hues of youth
    Standing upon a hill, a gentle hill,
    Green and of mild declivity, the last
    As 'twere the cape of a long ridge of such,
    Save that there was no sea to lave its base,
    But a most living landscape, and the wave
    Of woods and corn-fields, and the abodes of men
    Scattered at intervals, and wreathing smoke
    Arising from such rustic roofs: the hill
    Was crowned with a peculiar diadem
    Of trees, in circular array, so fixed,
    Not by the sport of nature, but of man:
    These two, a maiden and a youth, were there
    Gazing -the one on all that was beneath
    Fair as herself -but the boy gazed on her;
    And both were young, and one was beautiful:
    And both were young -yet not alike in youth.
    As the sweet moon on the horizon's verge,
    The maid was on the eve of womanhood;
    The boy had fewer summers, but his heart
    Had far outgrown his years, and to his eye
    There was but one beloved face on earth,
    And that was shining on him; he had looked
    Upon it till it could not pass away;
    He had no breath, no being, but in hers:
    She was his voice; he did not speak to her,
    But trembled on her words; she was his sight,
    For his eye followed hers, and saw with hers,
    Which coloured all his objects; -he had ceased
    To live within himself: she was his life,
    The ocean to the river of his thoughts,
    Which terminated all; upon a tone,
    A touch of hers, his blood would ebb and flow,
    And his cheek change tempestuously -his heart
    Unknowing of its cause of agony.
    But she in these fond feelings had no share:
    Her sighs were not for him; to her he was
    Even as a brother -but no more; 'twas much,
    For brotherless she was, save in the name
    Her infant friendship had bestowed on him;
    Herself the solitary scion left
    Of a time-honoured race. -It was a name
    Which pleased him, and yet pleased him not -and why?
    Time taught him a deep answer -when she loved
    Another; even now she loved another,
    And on the summit of that hill she stood
    Looking afar if yet her lover's steed
    Kept pace with her expectancy, and flew.

    III
    A change came o'er the spirit of my dream.
    There was an ancient mansion, and before
    Its walls there was a steed caparisoned:
    Within an antique Oratory stood
    The Boy of whom I spake; -he was alone,
    And pale, and pacing to and fro: anon
    He sate him down, and seized a pen, and traced
    Words which I could not guess of; then he leaned
    His bowed head on his hands and shook, as 'twere
    With a convulsion -then rose again,
    And with his teeth and quivering hands did tear
    What he had written, but he shed no tears.
    And he did calm himself, and fix his brow
    Into a kind of quiet: as he paused,
    The Lady of his love re-entered there;
    She was serene and smiling then, and yet
    She knew she was by him beloved; she knew -
    For quickly comes such knowledge -that his heart
    Was darkened with her shadow, and she saw
    That he was wretched, but she saw not all.
    He rose, and with a cold and gentle grasp
    He took her hand; a moment o'er his face
    A tablet of unutterable thoughts
    Was traced, and then it faded, as it came;
    He dropped the hand he held, and with slow steps
    Retired, but not as bidding her adieu,
    For they did part with mutual smiles; he passed
    From out the massy gate of that old Hall,
    And mounting on his steed he went his way;
    And ne'er repassed that hoary threshold more.

    IV
    A change came o'er the spirit of my dream.
    The Boy was sprung to manhood: in the wilds
    Of fiery climes he made himself a home,
    And his Soul drank their sunbeams; he was girt
    With strange and dusky aspects; he was not
    Himself like what he had been; on the sea
    And on the shore he was a wanderer;
    There was a mass of many images
    Crowded like waves upon me, but he was
    A part of all; and in the last he lay
    Reposing from the noontide sultriness,
    Couched among fallen columns, in the shade
    Of ruined walls that had survived the names
    Of those who reared them; by his sleeping side
    Stood camels grazing, and some goodly steeds
    Were fastened near a fountain; and a man,
    Glad in a flowing garb, did watch the while,
    While many of his tribe slumbered around:
    And they were canopied by the blue sky,
    So cloudless, clear, and purely beautiful,
    That God alone was to be seen in heaven.

    V
    A change came o'er the spirit of my dream.
    The Lady of his love was wed with One
    Who did not love her better: in her home,
    A thousand leagues from his, -her native home,
    She dwelt, begirt with growing Infancy,
    Daughters and sons of Beauty, -but behold!
    Upon her face there was a tint of grief,
    The settled shadow of an inward strife,
    And an unquiet drooping of the eye,
    As if its lid were charged with unshed tears.
    What could her grief be? -she had all she loved,
    And he who had so loved her was not there
    To trouble with bad hopes, or evil wish,
    Or ill-repressed affliction, her pure thoughts.
    What could her grief be? -she had loved him not,
    Nor given him cause to deem himself beloved,
    Nor could he be a part of that which preyed
    Upon her mind -a spectre of the past.

    VI
    A change came o'er the spirit of my dream.
    The Wanderer was returned. -I saw him stand
    Before an altar -with a gentle bride;
    Her face was fair, but was not that which made
    The Starlight of his Boyhood; -as he stood
    Even at the altar, o'er his brow there came
    The selfsame aspect and the quivering shock
    That in the antique Oratory shook
    His bosom in its solitude; and then -
    As in that hour -a moment o'er his face
    The tablet of unutterable thoughts
    Was traced -and then it faded as it came,
    And he stood calm and quiet, and he spoke
    The fitting vows, but heard not his own words,
    And all things reeled around him; he could see
    Not that which was, nor that which should have been -
    But the old mansion, and the accustomed hall,
    And the remembered chambers, and the place,
    The day, the hour, the sunshine, and the shade,
    All things pertaining to that place and hour,
    And her who was his destiny, came back
    And thrust themselves between him and the light;
    What business had they there at such a time?

    VII
    A change came o'er the spirit of my dream.
    The Lady of his love; -Oh! she was changed,
    As by the sickness of the soul; her mind
    Had wandered from its dwelling, and her eyes,
    They had not their own lustre, but the look
    Which is not of the earth; she was become
    The queen of a fantastic realm; her thoughts
    Were combinations of disjointed things;
    And forms impalpable and unperceived
    Of others' sight familiar were to hers.
    And this the world calls frenzy; but the wise
    Have a far deeper madness, and the glance
    Of melancholy is a fearful gift;
    What is it but the telescope of truth?
    Which strips the distance of its fantasies,
    And brings life near in utter nakedness,
    Making the cold reality too real!

    VIII
    A change came o'er the spirit of my dream.
    The Wanderer was alone as heretofore,
    The beings which surrounded him were gone,
    Or were at war with him; he was a mark
    For blight and desolation, compassed round
    With Hatred and Contention; Pain was mixed
    In all which was served up to him, until,
    Like to the Pontic monarch of old days,
    He fed on poisons, and they had no power,
    But were a kind of nutriment; he lived
    Through that which had been death to many men,
    And made him friends of mountains; with the stars
    And the quick Spirit of the Universe
    He held his dialogues: and they did teach
    To him the magic of their mysteries;
    To him the book of Night was opened wide,
    And voices from the deep abyss revealed
    A marvel and a secret. -Be it so.

    IX
    My dream is past; it had no further change.
    It was of a strange order, that the doom
    Of these two creatures should be thus traced out
    Almost like a reality -the one
    To end in madness -both in misery.

  7. #37
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    George Gordon Byron

    Euthanasia

    When Time, or soon or late, shall bring
    The dreamless sleep that lulls the dead,
    Oblivion! may thy languid wing
    Wave gently o'er my dying bed!

    No band of friends or heirs be there,
    To weep, or wish, the coming blow:
    No maiden, with dishevelled hair,
    To feel, or feign, decorous woe.

    But silent let me sink to earth,
    With no officious mourners near:
    I would not mar one hour of mirth,
    Nor startle friendship with a tear.

    Yet Love, if Love in such an hour
    Could nobly check its useless sighs,
    Might then exert its latest power
    In her who lives, and him who dies.

    'Twere sweet, my Psyche! to the last
    Thy features still serene to see:
    Forgetful of its struggles past,
    E’en Pain itself should smile on thee.

    But vain the wish?for Beauty still
    Will shrink, as shrinks the ebbing breath;
    And women's tears, produced at will,
    Deceive in life, unman in death.

    Then lonely be my latest hour,
    Without regret, without a groan;
    For thousands Death hath ceas’d to lower,
    And pain been transient or unknown.

    Ay, but to die, and go,' alas!
    Where all have gone, and all must go!
    To be the nothing that I was
    Ere born to life and living woe!

    Count o'er the joys thine hours have seen,
    Count o'er thy days from anguish free,
    And know, whatever thou hast been,
    'Tis something better not to be.
    Վերջին խմբագրող՝ Philosopher: 11.06.2007, 13:58:

  8. #38
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    Thomas Stearns Eliot

    Hysteria

    As she laughed I was aware of becoming involved in her
    laughter and being part of it, until her teeth were
    only accidental stars with a talent for squad-drill. I
    was drawn in by short gasps, inhaled at each momentary
    recovery, lost finally in the dark caverns of her
    throat, bruised by the ripple of unseen muscles. An
    elderly waiter with trembling hands was hurriedly
    spreading a pink and white checked cloth over the rusty
    green iron table, saying: 'If the lady and gentleman
    wish to take their tea in the garden, if the lady and
    gentleman wish to take their tea in the garden ...' I
    decided that if the shaking of her breasts could be
    stopped, some of the fragments of the afternoon might
    be collected, and I concentrated my attention with
    careful subtlety to this end.

  9. #39
    Պատվավոր անդամ Philosopher-ի ավատար
    Գրանցման ամսաթիվ
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    Allen Ginsberg

    Feb 29, 1958

    Last nite I dreamed of T.S. Eliot
    welcoming me to the land of dream
    Sofas couches fog in England
    Tea in his digs Chelsea rainbows
    curtains on his windows, fog seeping in
    the chimney but a nice warm house
    and an incredibly sweet hooknosed
    Eliot he loved me, put me up,
    gave me a couch to sleep on,
    conversed kindly, took me serious
    asked my opinion on Mayakovsky
    I read him Corso Creeley Kerouac
    advised Burroughs Olson Huncke
    the bearded lady in the Zoo, the
    intelligent puma in Mexico City
    6 chorus boys from Zanzibar
    who chanted in wornout polygot
    Swahili, and the rippling rythyms
    of Ma Rainey and Vachel Lindsay.
    On the Isle of the Queen
    we had a long evening's conversation
    Then he tucked me in my long
    red underwear under a silken
    blanket by the fire on the sofa
    gave me English Hottie
    and went off sadly to his bed,
    Saying ah Ginsberg I am glad
    to have met a fine young man like you.
    At last, I woke ashamed of myself.
    Is he that good and kind? Am I that great?
    What's my motive dreaming his
    manna? What English Department
    would that impress? What failure
    to be perfect prophet's made up here?
    I dream of my kindness to T.S. Eliot
    wanting to be a historical poet
    and share in his finance of Imageryoverambitious
    dream of eccentric boy.
    God forbid my evil dreams come true.
    Last nite I dreamed of Allen Ginsberg.
    T.S. Eliot would've been ashamed of me.

  10. #40
    + Alizée + Ծով-ի ավատար
    Գրանցման ամսաթիվ
    06.10.2006
    Հասցե
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    Մերսի…
    Hysteria-ն շատ տպավորիչ էր…բայց աչքերս ցավում են, copy անեմ, բոլորն էլ կկարդամ…
    համել, չեմ թաքցնի, որ բառարան ամեն դեպքում պետք կգա…

  11. #41
    Պատվավոր անդամ Philosopher-ի ավատար
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    Allen Ginsberg

    Footnote to Howl

    Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy!
    Holy! Holy! Holy! Holy! Holy! Holy!
    The world is holy! The soul is holy! The skin is holy!
    The nose is holy! The tongue and cock and hand
    and asshole holy!
    Everything is holy! everybody's holy! everywhere is
    holy! everyday is in eternity! Everyman's an
    angel!
    The bum's as holy as the seraphim! the madman is
    holy as you my soul are holy!
    The typewriter is holy the poem is holy the voice is
    holy the hearers are holy the ecstasy is holy!
    Holy Peter holy Allen holy Solomon holy Lucien holy
    Kerouac holy Huncke holy Burroughs holy Cassady
    holy the unknown buggered and suffering
    beggars holy the hideous human angels!
    Holy my mother in the insane asylum! Holy the cocks
    of the grandfathers of Kansas!
    Holy the groaning saxophone! Holy the bop
    apocalypse! Holy the jazzbands marijuana
    hipsters peace & junk & drums!
    Holy the solitudes of skyscrapers and pavements! Holy
    the cafeterias filled with the millions! Holy the
    mysterious rivers of tears under the streets!
    Holy the lone juggernaut! Holy the vast lamb of the
    middle class! Holy the crazy shepherds of rebellion!
    Who digs Los Angeles IS Los Angeles!
    Holy New York Holy San Francisco Holy Peoria &
    Seattle Holy Paris Holy Tangiers Holy Moscow
    Holy Istanbul!
    Holy time in eternity holy eternity in time holy the
    clocks in space holy the fourth dimension holy
    the fifth International holy the Angel in Moloch!
    Holy the sea holy the desert holy the railroad holy the
    locomotive holy the visions holy the hallucinations
    holy the miracles holy the eyeball holy the
    abyss!
    Holy forgiveness! mercy! charity! faith! Holy! Ours!
    bodies! suffering! magnanimity!
    Holy the supernatural extra brilliant intelligent
    kindness of the soul!

  12. #42
    Պատվավոր անդամ Philosopher-ի ավատար
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    David R. Williamsի "Twilight in the Spaces Between" վեպը կարդացի պատահաբար, բայց արդյունքում հասկացա, որ այն գուցե առավել կարևոր բան կարող է ասել ժամանակակից մարդուն Մարդու, նրա պրոբլեմի մասին, քան դասական գրականության շատ նմուշներ: Այստեղ մարդկային միայնակ, լքված կեցությունն է` իր գոյաբանական ապրումների ու տվայտանքների մեջ, մարդկային էքզիստենցիալ կեցությունը` իր դրամատիզմով, իր անսահման մարդկայնությամբ, իր անսահման միայնակությամբ, մեկուսացվածությամբ: ԱՄՆ-ի ամենախիստ ու ամենադաժան բանտերից մեկի կալանավորների նամակների ձևով գրված այս վեպը իմ կարդացած ամենահավաստի ու ամենաճշմարտացի գործերից է` մարդու, իրական մարդու, հակասական մարդու, բարդ ու պարզ մարդու, ցածր ու բարձր մարդու մասին:
    Էպիստոլյար ժանրով գրված այս վեպը այնքան ճշմարտացի է ու դաժանորեն իրական, որ բանտային պայմանները վեր են ածվում գեղարվեստական պայմանականության, այս բանտը մարդկային կյանքն է, աշխարհը և նրանում` մարդիկ: Իսկապես, չկա ավելի ցածր բան, քան մարդը, ու չկա ավելի բարձր բան, քան մարդը: Այս ցածրի ու բարձրի մասին է այս վեպը, այս ցածրի ու բարձրի կակաֆոնիայով է շնչում նրա յուրաքանչյուր տողը, որը, ի վերջո, դառնում է սիմֆոնիա, մարդկային, ամբողջական մարդկայինի սիմֆոնիա... Ecce Homo. Տեսեք մարդուն:


    David R. Williams

    Twilight in the Spaces Between


    Հատվածներ

    Entry. Andrea Ramsey’s Dreambook (Undated)

    “There are no futures. There are only streams of endless possibilities that collapse into one present as we rush head long into them. But even the present is an illusion, slipping from our grasp as we reach for it, becoming the past. It is only the past that truly exists. The past that scars our minds with memory. With reverberations that dictate our lives. With traces that haunt our eyes till death”.

    North Dakota, Winter, Now

    Dear Mother
    This is the last time I shall write you. You know the reasons why and so there is no need for me to repeat them here. I never was much for writing anyway. I will not call, as you know I abhor that obnoxious symbol of modernity they call the telephone. I will not email, as you have no computer. I am not really writing this. They do not let me have pencils…
    “Super Max”, the U.S. Maximum Facility at Bottineau, North Dakota, is considered to be the most
    secure prison in the world. It is the “end of the line” for America’s most heinous criminals; criminals whose deeds are the fuel that drives lurid, true crime paperbacks and tabloid cover stories, crimes that open nightly news programs, images that will infect the minds of the morbid for decades to come.
    …it is quiet and cool in my cell. I lie on my cot and close my eyes and I dream that I am with you, that I am holding you. That I am kissing your sweet, sweet face. Kissing away your tears. Kissing away your sorrow. Kissing away your fears. Protecting you as I have always done and always will. I miss Papa. Has he wandered far this time? He will come back. He always does. I miss the stern Niobe. I miss the twins. But most of all, I miss the little one, our darkling sparrow. So frail, so bone thin, so lost in her own shadows. Especially now that I am not there. And of course I miss the woman I would make my wife…
    Super Max is a one hundred and sixty million dollar, state-of-the-art, high-tech fortress of steel,
    concrete, and barbed wire. Those who come here, come for life. Even death does not bring freedom. The prison has its own cemetery and that is where its dead are buried. A measure that prevents thrill-seekers from turning their graves into shrines, and souvenir hunters from digging up the remains. For there are those who consider the inmates of Super Max, to be gods. Or the
    flesh and blood incarnations of Satan himself.
    …Time is very different here mother. In Twilight the winters are mild and calm. Here, the wind howls so loudly I can hear it through the thick walls. It sounds like a chorus of the damned, pleading for salvation. Here, it is neither day nor night. Here, a single light shines down from a caged recess high above me. The level of the light never changes. It never goes out.
    There is no clock. There is no calendar. I measure time in weekly sessions. Outside my door I can hear the sound of guards walking. Most often alone, but sometimes in pairs. When they walk in pairs, I know that when they return, they will have become a trio. Usually they are accompanied only by silence. But sometimes, depending on who they are escorting, there is idle chatter or strange babbling, like a preacher speaking in tongues. At times there is cursing. Rarely, but it does happen, there is scuffling and screaming. When the two pairs stop outside my door I listen to the
    locks being released and mark off another week. Another week away from you and those I love and must protect.
    At Super Max, inmates are confined to their cells for a minimum of 22 hours of every day. They are allowed one half hour personal time to shower and shave with a cream hair remover, half an hour to exercise or take a book from the library, one hour to dictate letters to loved ones. They are not allowed to write, they are not allowed to have pens, pencils or even crayons - a Crayola through the eardrum is as lethal as a screwdriver, and really, all in all, more satisfying.
    You asked, again, if you could visit. Mother, your health would not withstand the trip. It is too far and too dismal. I could not tolerate seeing you, without being able to touch you. I could not tolerate you seeing me in restraints. I could not tolerate having you watch them lead me away, as they did that day in the courtroom. Nobody comes here to visit, Mother. No one save the lawyers and the psychologists ever make the journey. You would sink into misery the moment your
    kind eyes beheld what they have done to the earth around the prison. I only saw it once, when they brought me in, but it is still clearly etched in my mind. They take you down a long dirt road that rambles through mile after mile of desolate flat lands. Not a single tree stands. There is no grass. There are no shrubs. There is only dead earth, sprayed every month with a deforestation chemical first used in Vietnam and perfected since…
    Driving toward Super Max, even before the prisonitself is visible, one can see the 25-foot fences
    crowned with twisted loops of razor wire that move in a slow spiral, encasing the prison in a framework nautilus shell. They see five guard towers and the guards with their high-powered rifles, outfitted with night vision scopes. They see the walls of Super Max reinforced with seven layers of steel and cement. To enter, one must pass through a series of detectors. Hands are stamped with a secret code in ultraviolet dye. Retinas are scanned. No one goes anywhere without
    an armed guard at their side. Not even the lawyers are left alone with their clients. They are assigned guards whom congress has granted authority to be present throughout, ordered to hear nothing and remember less.
    …Mother, how much more can I tell you about her? I know that you will love her when you meet her. I have tried to describe her to you before, but words fail beyond what I have already written. She reminds me so much of you. She is tall and slender and beautiful. Her eyes are kind and her skin is soft. But underneath there is a core of steel that would break, long before it would
    bend. You will understand when you meet her. And again, when you do, you will love her as I love her…
    There are 142 cells in Super Max. Each cell measures six feet wide by eight feet long by twelve
    feet high. Furnishings are stark. There is a cot. There is no sink or toilet. If the inmate of a cell wishes to urinate or defecate, he must call a guard and wait. If said inmate decides not to wait, he can use the drain in the center of the floor. The cell will not be cleaned for 24 hours.
    Every cell in Super Max is occupied.
    Clive Euxideos existed in cell 47. It was his world and had been for nearly five years. The walls
    bore the markings of previous inmates, but not of him. Clive did not make his mark on walls. Clive made his mark on flesh. He has been, it could be said, a model prisoner. He takes his daily shower and shave. He uses his exercise time. He eats his meals peacefully and returns the plastic trays without incident. He makes the weekly walk to and from his session without trouble. He only speaks when spoken to, and as he is seldom spoken to outside of session, he seldom speaks.
    Clive believes that it is good, not to have to speak. It is good to be locked up for 22 hours of every day. The solitude gives him time to think.
    And think he does.
    He thinks about the world outside the walls. He thinks of his family. He thinks about the worthless
    flotsam of society that walks the land and how they should not. Clive sees himself as an avenging angel, scouring the dark lands without, granting life to those who deserve it, taking life from those who do not. To date, Clive has taken life from many who did not deserve that precious gift. They had been doctors and lawyers, trailer park trash and street corner scum. In no case had he stalked them. There was no need. They found him. They found him in bars and night clubs. They found him through television news broadcasts and newspaper headlines. They found him in movie theatres and concert halls. He’d rid the world of a lawyer who’d secured the release of a child molester, a doctor who’d gotten away with a hit and run that killed a young boy, a crackdealing
    pimp who’d used a pipe to cave in the right side of one his whore’s faces and the woman refused to testify against him. He’d also taken out a man whose pasley tie clashed with his chocolate brown suit and a woman whose constant cell phone yammering through a screening of “The Bicycle Thief” marked her as a philistine of the most loutish order.
    Վերջին խմբագրող՝ Philosopher: 22.06.2007, 09:46:

  13. #43
    Պատվավոր անդամ Philosopher-ի ավատար
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    (շարունակություն)

    …I remember little things. I remember what the garden use to be. I see an enormous turquoise sky holding three small clouds. I see you and Niobe, in the garden, bent happily to your work in the early springtime rose beds. You both wear large, floppy hats that protect your skin from the sun. The early March wind tries relentlessly, but unsuccessfully to tear those hats from your heads and carry them away. The beds are barren but you and Niobe know what promise the early shoots hold. Soon those shoots will become highly scented bushes in colors running from white, to all shades of pink, to a dark velvet ruby. In the height of summer, some of the blooms will be as wide as a dinner plate, and wouldn’t you love to sup off them if you only could? I watch from the veranda as you and Niobe root out the ants, and dig the dirt, and add the mulch, and then a thick layer of cypress around the base of the bushes. You then trim off the dead wood and prick your fingers on a thorn saved from the year before and do your dance. How I love to watch you dance….
    Before he was captured, Clive visited the Hall of Records in Devil’s Lake, North Dakota. Clive did not know that he was going to be captured. In fact, he highly doubted it. But Clive was not one to leave anything to chance, and as he was passing through North Dakota anyway, he figured why not. If he was captured, he would eventually be imprisoned at Super Max. Of that he had no doubt. He made eye contact with the cops manning the metal detector and remarked on the weather. He stopped at the information booth and asked the ancient woman who’d spent most of her adult life working there, where the public records department was. She directed him up
    a wide marble staircase and down a long narrow hall with cracked walls, to a vaulted room filled with row upon row of wooden file cabinets. The room felt of age and smelled of water damage. There, Clive requested a copy of the floor plans for the Super Max. A copy of the blueprints for every structure built in North Dakota is on file in the hall of records. Clive paid the copying fee and took the blueprints with him to study and memorize. One interesting thing about Clive
    Euxideos is that he had a knack for remembering. He was able to take a “snapshot” of anything he saw or read and then later, could call that snapshot back up at whim, projecting it onto the big screen television mounted inside his skull. Then he would sit back (in the easy chair that was his brain) and study the snapshot at his leisure.
    After careful study of the Super Max blueprint, Clive realized that, contrary to popular belief, the
    facility was not escape proof. The penitentiary design experts had not thought of everything. There were at least two possible escape routes. One was very nasty, but offered the greatest chance for success. The other was less nasty, and really, less risky at least in terms of injury, but the potential for success was also far less. Clive, never one to avoid nastiness, decided upon the former.
    I have nothing left to write. Nothing happens here. Nothing changes. I have my memories and I embrace them, awake or asleep. I listen.
    And so it was that one night, deep into a North Dakota winter, with the world outside being ravaged by a howling snowstorm, Clive Euxideos escaped from the escape proof U.S. Maximum Facility at Bottineau, North Dakota and vanished into the swirling night.
    In closing Mother, I only ask that you look to the garden when the wind changes.. Our garden, once so carefully tended and lush and fragrant, now fallow and dark. The garden with the fountain that once bubbled gaily, that now stands dry as the bones of the one it took. Look to the garden when the wind changes mother, and call my name.

    Yours Eternally,
    Clive
    Վերջին խմբագրող՝ Philosopher: 22.06.2007, 09:31:

  14. #44
    Bleeding Sunshine CactuSoul-ի ավատար
    Գրանցման ամսաթիվ
    08.12.2006
    Հասցե
    Within The Realm Of A Dying Sun
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    Մեջբերում Philosopher-ի խոսքերից Նայել գրառումը
    David R. Williams

    Twilight in the Spaces Between
    Գիտեմ՝ կզարմանաս (գուցե նաև կնեղանաս), բայց կարդացի…
    Իրոք որ. հրաշալի գործ էր. պարզ, առանց բարձրագոչ բառերի, առանց չափազանցությունների, բայց միևնույն ժամանակ ինչքա՜ն բան էր պարունակում իր մեջ… Երազանքներ, սեր, հիշողություններ… Իսկական, մարդկային, անկեղծ մտորումներ… Մի ամբողջ կյանք…
    Շնորհակալություն
    ամաչելու աստիճան սիրուն ու անասելի տխուր բան ա կյանքը…

  15. #45
    Պատվավոր անդամ Philosopher-ի ավատար
    Գրանցման ամսաթիվ
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    James Joyce

    Be Not Sad

    Be not sad because all men
    Prefer a lying clamour before you:
    Sweetheart, be at peace again -- -
    Can they dishonour you?

    They are sadder than all tears;
    Their lives ascend as a continual sigh.
    Proudly answer to their tears:
    As they deny, deny.

    James Joyce

    Dear Heart, Why Will You Use Me So?


    Dear heart, why will you use me so?
    Dear eyes that gently me upbraid,
    Still are you beautiful -- - but O,
    How is your beauty raimented!

    Through the clear mirror of your eyes,
    Through the soft sigh of kiss to kiss,
    Desolate winds assail with cries
    The shadowy garden where love is.

    And soon shall love dissolved be
    When over us the wild winds blow -- -
    But you, dear love, too dear to me,
    Alas! why will you use me so?

    James Joyce

    Gentle Lady, Do Not Sing

    Gentle lady, do not sing
    Sad songs about the end of love;
    Lay aside sadness and sing
    How love that passes is enough.

    Sing about the long deep sleep
    Of lovers that are dead, and how
    In the grave all love shall sleep:
    Love is aweary now.
    Վերջին խմբագրող՝ Philosopher: 25.06.2007, 21:20:

Էջ 3 5-ից ԱռաջինԱռաջին 12345 ՎերջինըՎերջինը

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Այս թեման նայող անդամներ

Այս պահին թեմայում են 1 հոգի. (0 անդամ և 1 հյուր)

Համանման թեմաներ

  1. Գեղարվեստական գրականության դերն ու նպատակը
    Հեղինակ՝ Ուլուանա, բաժին` Գրականություն
    Գրառումներ: 11
    Վերջինը: 13.03.2014, 15:06
  2. Ժարգոնը ժամանակակից հայ գրականության մեջ
    Հեղինակ՝ StrangeLittleGirl, բաժին` Ժամանակակից հայ գրականություն
    Գրառումներ: 16
    Վերջինը: 05.07.2011, 20:19
  3. Գրառումներ: 1
    Վերջինը: 03.03.2011, 16:12
  4. Գեղարվեստական և գիտական գրականության նոր կայք:
    Հեղինակ՝ ashot_1987, բաժին` Վեբ կայքերի քննարկում
    Գրառումներ: 7
    Վերջինը: 08.11.2010, 16:34
  5. Եվրոպան ուզում է ազատագրվե՞լ Անգլո-Ամերիկյան հեգեմոնիայից
    Հեղինակ՝ Marduk, բաժին` Միջազգային քաղաքականություն
    Գրառումներ: 0
    Վերջինը: 29.09.2008, 14:33

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